Here, we see the
scene of ‘mother’ killing Arbogast. This scene has also has all the generic
conventions of horror in it, as written by Thomas Schatz in his book Hollywood
Genres (1982). Looking at the mise-en-scene, we see the use of a creepy and
enclosed location, an old fashioned mansion in the middle of nowhere helps make
the audience feel uncomfortable to watch it. The use of collision cutting is
also very important for this scene, as it starts by Arbogast slowly walking to
the house and up the stairs, to the then fast paced killing of him, partnered
with a parallel, uncomfortable and harsh stabbing soundtrack, really emphasises
the mood of the scene. The use of the bird’s eye view is also very clever as it
creates an uneasy angle for the audience to view the scene from, but also
allows the identity/ unveiling of mother to be kept a secret. This makes us
question if it really is Norman’s mother as she is able to rapidly move through
the hall way to overpower a grown man. Looking at the themes, we can associate
the fear of death & violence to this scene as Arbogast is killed, and the
suspense leading up to it gets the audience on the edge of their seat.

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